Tonal Description of music audio signals
Appendix A: Audio samples
Due to copyright reasons, some of the sounds are not available online. Please, send me an e-mail (egomez at iua.upf.edu) if you are interested in having them.
A.1 Audio
samples in Chapter 3
1. Tune1-0.mid.wav, Tune1-20.mid.wav
and Tune1-60.mid.wav: piece with a frequency
deviation of 0, 20 and 50 cents.
2. Noise.wav: white noise generated by Sound
Forge.
3. PianoPhrase.wav: excerpt of a monophonic
piano phrase.
4. Donde-Estas-Yolanda.wav: excerpt
of a polyphonic piece: Donde estás, Yolanda, by Pink Martini.
5. Imagine.wav: excerpt of a polyphonic piece: Imagine, by John Lennon.
6. Book-I-Prelude-1-C-Version1Jaccottet.wav: Bach’s WTC Prelude 1 in C
Major played by Christiane Jaccottet (harpsichord), Vienna Master Series, PILZ,
Germany.
7. Book-I-Prelude-2-c-Version1Jaccottet.wav: Bach’s WTC Prelude 2 in C
Minor played by Christiane Jaccottet (harpsichord), Vienna Master Series, PILZ,
Germany.
8. Book-I-Prelude-1-C-Version2Leonhardt.wav: Bach’s WTC Prelude 1 in C
Major played by Gustav Leonhardt (harpsichord), Classical Edition, Deutsche
harmonia Mundi, Germany.
9. Book-I-Prelude-2-c-Version2Leonhardt.wav: Bach’s WTC Prelude 2 in C
Minor played by Gustav Leonhardt (harpsichord), Classical Edition, Deutsche
harmonia Mundi, Germany.
10. Book-I-Prelude-1-C-Version3GlennGould.wav: Bach’s WTC Prelude 1 in
C Major played by Glenn Gould (piano), SONY Classical.
11. Book-I-Prelude-2-c-Version3GlennGould.wav: Bach’s WTC Prelude 2 in
C Minor played by Glenn Gould (piano), SONY Classical.
A.2 Audio samples in Chapter 4
1. Organ-C-Major.wav:
Excerpt of organ in C Major.
2. Piano-F-sharp-minor.wav: Excerpt
of a piano piece, Hungarian Dances from Johannes Brahms, in F# minor.
3. Percussion.wav: Drum loop.
4. Schoenberg.wav: Excerpt of String Quartet
Op. 30 I Moderato, from Arnold Schoenberg, performed by Aron Quartet.
A.3 Audio samples in Chapter 5
1. Type 0: e114.wav
and e043.wav: These sound samples are proposed in Yang (2001), and are found
in http://www-db.stanford.edu/~yangc/musicir/.
2. Type II: e043.wav and e108.wav: These sound samples are proposed in Yang
(2001), and are found in http://www-db.stanford.edu/~yangc/musicir/.
3. Type III: e116.wav and e117.wav: These sound samples are proposed in Yang
(2001), and are found in http://www-db.stanford.edu/~yangc/musicir/.
4. Type IV: e071.wav and e107.wav: These sound samples are proposed in Yang
(2001), and are found in http://www-db.stanford.edu/~yangc/musicir/.
5. Type V: e106.wav and e114.wav: These sound samples are proposed in Yang (2001),
and are found in http://www-db.stanford.edu/~yangc/musicir/.
6. Type VI: first phrase of the song Imagine, by John Lennon, in 6
different versions: ImagineFirstPhrase1-JohnLennon.wav, ImagineFirstPhrase2-
Instrumental.wav, ImagineFirstPhrase3-DianaRoss.wav, ImagineFirstPhrase4-TaniaMaria.wav,
ImagineFirstPhrase5-Khaled.wav, ImagineFirstPhrase6-Noa.wav.
7. Type VII: the song Imagine, by John Lennon, in 5 different versions:
Imagine1-JohnLennon.wav, Imagine2-Instrumental.wav, Imagine3-DianaRoss.wav,
Imagine4-TaniaMaria.wav, Imagine5-NoaKhaled.wav.
8. Other: Besame Mucho, by Diana Krall: BesameMucho-DianaKrall.wav.
9. Time stretched versions: Imagine2-Instrumental-50%.wav,Imagine2-Instrumental-70%.wav,
Imagine2-Instrumental-130%.wav, Imagine2-Instrumental-160%.wav.
10. High tonal strength examples: YouDontBringMeFlowers.mp3, by Barbra Streisand
(Duets retail) and Atrapame.mp3, by Manny Manuel.
11. Low tonal strength example: StopOrIllShoot.mp3, by Ryuichi Sakamoto.